Soundscapes Jan 26, 2019

$25 • GET TICKETS Studio Theater & Lobby

Sat, Jan 26

5 pm - 11 pm

Capacity: 200

Tickets for Sat, Jan 26 performance

General admission
$70 covers the average, per-ticket cost of staging a production at On the Boards

Sliding Scale

A limited number of Sliding Scale Tickets are available online. Choose your price ($10-20). 

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Learn more about tickets and handling fees →

Join us for an immersive evening of sound art, featuring sonic works by a diverse selection of Northwest-based artists. For six hours, our lobby & Studio theater spaces will be transformed by a range of auditory & musical experimentations, with audiences free to come and go throughout the event. The evening’s line-up includes a cross-section of regional sound artists, musicians, and composers, including Chloe Alexandra Thompson (PDX), Nico Tower (Seattle), Benjamin Hunter, and more. Line-up TBA. Check back here for updates. 

About the Artists

Reality has offered a fertile canvas for violinist, storyteller, educator and community enterpriser Benjamin Hunter’s endeavoring mind. Cross pollinating multiple artistic disciplines for more than a decade, the Seattle based polymath has dedicated his life to transforming the world’s stale status quo into a vibrant, inclusive, communal, and compassionate society. Hunter’s first tool was the violin accompanying him on laps around the world. Playing since age 5, he was fortunate to travel the world and absorb various musical styles at a young age. Receiving his degree in Performance Violin, with keen interest in politics and philosophy, Hunter set his sights on the intersection between art, community, and a rapidly evolving clash of culture. The multi-disciplinarians latest adventure has taken him to the stage as composer and musical director and cast-mate in acclaimed director Dani Tirrell’s Black Bois. The incomparable performance art piece explores and shakes to the foundation the concept of Black masculinity, suffering, and ultimate triumph. The piece helped Hunter destroy toxic stereotypes still assaulting America’s “unwanted step-children.”

Nico Tower is an intermedia artist with a thirst for the unknown.  Educated in multimedia design, she works with graphics, photography, video, and lighting design in tandem with her music and dance practices. Over the past seventeen years, Tower has released ten albums and performed in more than 40 cities across the US. This SeattleDances 2018 Dance Crush Award recipient, has scored more than 50 contemporary dance works, appearing in every major dance festival in Washington state. Her works with collaborator Maya Soto have received support from 4Culture, Office or Arts and Culture, Cornish College of the Arts, and Velocity Dance Center in partnership with 10 Degrees.

Chloe Alexandra Thompson is a Canadian, Cree, artist and curator, living and working in Portland, Oregon. Using Pure Data, Arduino, hardware and voice, Thompson creates unique sonic experiences and expressions through the spatialization of isolated frequencies. Thompson’s work has been shown at Corridor (Seattle), Quiet City (Vancouver, Canada), The Wiltern (LA), Qubit (New York), Panoply Performance Lab (New York), Wayward Concert Series (Seattle), Subharmonic: Sonic Arts Symposium (PICA), Sl*t Island (Montreal, Canada), Littman and White Galleries, Variform Gallery, Compliance Division, Open Signal, Bronco Gallery, and PCC. She has also presented in collaborations for Converge45, Disjecta, Out of Sight (Seattle), PICA T:BA:17, PICA T:BA:16, and Nationale. Thompson has given lectures and facilitated workshops as a part of T:BA:17 Institute in dialogue with Tanya Tagaq, Subharmonic: Sonic Arts Symposium (PICA) with France Jobin, PNCA, PSU, Open Signal, and home school pdx. Thompson’s written work has also been been released through Art in America, Zero Cool, Provision, Cig Thesis, and Blankstairs.

Photo Credit: Chloe Alexandra Thompson