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Mountain Blog #2 Aug 18, 2006

Amelia's Mountain Song dune se-ra-ru me-rahr-so ran who ra serar ooooo eyour too wowh who ooo srha-roon who soranln tu_a sraruo oo oo oo_"Grapple" "Grapple" "Grappl_oooo-ru-oo-su" -------------------------------------------------------- Opening Mountain Song juoi juoi juoi juoi bup bup juoi bup juoi juoi bup ------o-------bup bup juoi juoi bup juoi bup -----bup-----bup-o-------- --------bup----o---bup----- juoi -------o----- juoi --------o---------- ---------------------------------------------------------- stage 3 vocabulary slap slash gouge chop flay kaboom
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Mountain Blog #1 Aug 15, 2006

These are thoughts, questions, frameworks, revelations from our first week of residency with Deborah Hay in Bellingham. (Peggy Piacenza, Gaelen Hanson, Amelia Reeber) What is choreography? How can we further that question? ---------------------------- TOOLS TO NOTICE WHAT IS HAPPENING AT ANY GIVEN MOMENT ON STAGE What if every cell in the body has the ability to perceive the uniqueness and originality of all that there is? Noticing the feedback of the whole body at once as the teacher. Surrender the pattern of facing a single direction.
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Allen Johnson | <i>Another You</i> Nov 17, 2005

Transferred from our blog archive at ArtsJournal Nov 17, 2005 Re: Gift by Annie Wagner I know you didn't mean "splinters" literally, Bret, but I'd say Johnson's bits of narrative are more like uncrackable nuts. They seem modeled on koans or parables without referent--they're not so much partial as they are hard and self-contained. The square of light and boxing ring-style blocking (feint, circle, feint) mirror his circular narrative style. If this is truth, it's the kind that doesn't easily give up its meaning.

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