Devotion is evident in the details of this abstract rendering of life itself. The stage is an installation of galvanized support pipes, lifting and framing in reverence several exquisite formal portraits (Sarah & Richard?), held on high and lit with a shipyard's worth of arc lights. Enough light to illuminate a stadium. All bundled, bunched, dangling and clustered from the rafters, gathered like sculptural pieces; imposing large bulbs though not all switched on, look rather like metal flora growing from the framework.