Journal

Full-on Commitment Oct 27, 2014

by Marcie Sillman

Marcie Sillman breaks down Opposing Forces at her arts and culture blog, And Another Thing:

"I freely admit I don't know heaps about hip hop culture or b-boys. But I do know when a dancer is technically skilled with a full-on commitment to his, or her, art form. That commitment was on full display on the parts of the performers in choreographer Amy O'Neal's 'Opposing Forces' at On The Boards, Saturday October 25th, 2014.

O'Neal assembled five of the Seattle area's most respected b-boys, along with musician/DJ WD4D, to create a performance that both opens the door to hip hop culture for a (mostly) non-hip hop audience, while at the same time allowing the cast members to explore both their art form and themselves as artists. The result was an electrifying evening.

B-boying (yeah, it's a noun), emerged as a way for dancers to demonstrate not only their performance prowess, but also to establish their macho creds. Dance crews compete; they win trophies around the world at this point. O'Neal explains in the program notes that she and the cast "needed to show their complexity as dancers, that they are not just machines or clowns who do tricks for entertainment purposes."

Opposing Forces begins with a competition. Members of O'Neal's 'crew' line up against three guest performers from Dogg Pound Crew. Each side tries to top the other with everything from dizzying head spins to one-armed handstands to lightning-quick footwork. The audience's role is to cheer on our favorites.

From that opening, though, the performance slows down and starts to unfold into a kaleidoscope of solos and ensemble work. Each man has a chance to showcase his particular moves to the accompaniment of music and recorded voices that reveal to the audience tidbits about the dancers' personal lives and their thoughts about art and dance and hip hop culture."

Read the rest of the review at And Another Thing.

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