Are you a choreographer making contemporary dance?  Want to have your work seen on the OtB stage? Want a chance at winning $10,000? Want to have people talking about your work for months after the curtain closes? If you said "yes" to any of those questions, don't forget to send in your application for The A.W.A.R.D. Show! 2011.

I completely agree with Gina, but if my ONLY chance of seeing companies from around the globe is on-line, I’ll take it. If I’m hemming & hawing about $40 tickets to something I prefer a little on-line taste to know if it’s worth it to step deeper and spend the money. To Matthew’s point about the MET’s HD. A friend of mine discovered he loved opera this way. Never would have spent the cash to see opera of any sort without this.

is not art but stationary objects, materials, 2D, 3D, imbued with the artists intent, vision, and overall energy anyways? why not just cut out the middle person, the messenger? why drink from the plastic bottle when the pond is right there within reach. ok, i dont recommend drinking from ponds, but you get the point.

Welcome back for Day 3! Here's today's question: The hot topic in NYC lately is how the line between performance and visual art is becoming increasingly blurred. From Tino Sehgal to Marina Abramovic, more and more artists are using performers in museum exhibits and galleries.

I may just be thinking locally here, but my mind immediately goes to 4Culture’s funding issues, and the push to get funding bills through the Legislature in a short, overloaded session (and then some!). Not particularly artistic, but it definitely got the policy nerd in me talking!

Seattle Children’s Theatre’s A Tale of Two Cities. It was great because I was able to bring my 9 year old little sister to the theatre and introduce her to the joys of watching a play together.