Journal

DV8 and Tanja Liedtke Mar 27, 2009

DV8 Physical Theatre, UK's leading makers of highly physical dance, was one of the company's that Tanja Liedtke got her start in. Their legacy of performance marrying intense and beautiful movement with narrative can be seen in Tanja's work. Click the picture below to see a duet from DV8's dance film Cost of Living:

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new arts blog reviews That Night Follows Day Mar 26, 2009

A new arts blog called Artsography - dedicated to cataloguing and reviewing local art events attended by the blog's 2 authors - has landed on the scene. Check out their latest post on Theatre Replacement & Tim Etchells' That Night Follows Day.

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Jan Fabre in brief | Je suis sang Mar 26, 2009

je suis sang smaller Production name - Je suis sang Subtitle - A Medieval Fairy Tale Featured - "A battalion of armored knights parad[ing] alongside bloodied brides, satyrs and medieval surgeons" (NY Times). Plus everything you see in the picture above.

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Rambo Nut Mar 24, 2009

Nature Theater of Oklahoma just premiered their newest work - Rambo Solo - at the SoHo Rep. The NY Times reviewed the opening. A quick quote:

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The country of Wales knows about Tanja Liedtke's performances in Seattle - do you? Mar 24, 2009

WalesOnline just posted an article about Tanja Liedtke and the performances of Twelfth Floor playing over the weekend there.

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Learn more about Tanja Liedtke Mar 23, 2009

In early 2007, LondonDance did a great little interview with Tanja Liedtke. Read the article and learn more about her thoughts on Romeo Castellucci, DV8 Physical Theatre and more.

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...because it's a cold, grey day... Mar 23, 2009

And because the pictures from construct generally cheer me up, here's this: Tanja new 011

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Theatre Replacement | Tim Etchells | <i>That Night Follows Day</i> Mar 21, 2009

Welcome to our review blog for That Night Follows Day. Read our patron reviews, press reviews, and click on the Comments button to read the comments of others. Take a moment post your own thoughts!

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stream-of-consciousness style blog review Mar 21, 2009

This show reminded me of growing up, an always constant process. While watching the kids onstage, reciting lines they surely couldn’t understand yet or care about, it became obvious that this show is for grown-ups, not for kids. It brought back memories of being a kid, and that huge divide between kids and adults. Everyone over 16 or so was an adult, therefore a sort of enemy, and didn’t really understand.And now I am an adult and I don’t understand *them* anymore.

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what's so easy in the evening, by the morning is such a drag Mar 21, 2009

I woke up confused, after a night of dreams delivered directly from City of Lost Children. When I went to sleep, I was feeling pretty good and had enjoyed, but not been terribly moved by, Theatre Replacement's That Night Follows Day. The show is like a Greek chorus without a plot, a technique which impressed, bored, mesmerized and released me (in that order). The 17 actors are no doubt talented and fully committed to their kid-ness, but one tiny girl kept distracting me with her strangely adult postures, haircut and intense stares.

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