by Jessica
Today just keeps delivering more and more descriptions about OtB artists that are kind of incredible. The title of this post comes courtesy of nytheatre.com in reference to Radiohole. The company's latest performance (soon to be featured on OntheBoards.tv) inspired this new description and this:
Life was dull and joyless, my theatre-going lackluster. Late-winter New York City blues have left me impatient, fractious, and listless.
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by Jessica
Almost a year ago, Pacific Musicworks (then known as Pacific Operaworks) made a splashy debut in a high profile production of Return of Ulyssses that included partnerships with William Kentridge and South Africa's Handspring Puppet Company.
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by Jessica
Jeremy Barker from Seattlest posted a review of Orgy of Tolerance this afternoon:
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by Jessica
Regina Hackett at Another Bouncing Ball reviews this weekend's performance:
Jan Fabre's splendid company saves him from the didactic tedium of his text, but just barely.
Read the full article.
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by Jessica
Christopher Frizzelle at the Stranger opened up a thread about Orgy of Tolerance. See what commenters have to say about show.
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by Jessica
Misha Berson from the Seattle Times writes:
As an unfettered (sometimes unclothed) Euro-stomp howl against the sins of a bespoiled Western Civilization, this "Orgy" is certainly impassioned.
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by Jessica
Jeremy Barker reviews construct:
We've never seen choreography with so much character before, so much personality, to say nothing of such a broad sense of humor.
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by Jessica
Brendan Kiley just posted a short review of construct:
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by Tania
Michael Upchurch writes about the show in the Seattle Times
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